"Evoke 10 is a new highlight in Dynaudio’s continuously strong history of compact speakers." Dynaudio's all new Evoke 10 speakers at Quintessence Audio. The high-frequency response of the Dynaudio Evoke 50 is shown in greater detail in Graph 2, but you should note that the different measurement technique that’s used in order to provide this detail means that only high-frequencies can be measured (in this case, those above 900Hz). Every driver has been optimised in Dynaudio's state-of-the-art Jupiter measuring lab. "Authentic mids, smooth homogeneity.” Bath Find great deals on Audio speakers in Chattanooga, TN on OfferUp. Evoke 25C . Unlike many such recordings, not only are the two musicians in perfect musical balance with each other, but the sounds of their two instruments are also perfectly balanced one against the other, something that’s enormously difficult to do with two instruments that produce their sounds so differently as the piano and the violin, due not only to the differences in acoustic size, but in the method of sound creation (i.e., vibration vs. percussion). (Foam surrounds tend to rot, particularly when exposed to ultraviolet light, of which there’s a lot in Australia!) The 23 best Cyber Monday speaker deals still live, The best Cyber Monday wireless earbuds deals still live. Dynaudio Evoke 10 Monitor Speaker - Pair - Gloss White $1,599.00. I guess that Dynaudio intends that the salespeople should leave the pucks in place whenever the speakers are not actually being demonstrated, and removed only for listening sessions. Evoke 20 . Graph 1 shows a frequency response that was obtained using two different techniques. The five speakers range between £1100 and £3900. More importantly, it would be difficult to see that the inner dome had been damaged by a customer in the first place. No it’s not quite an Esotar3, I don’t think its extreme highs are quite as extended, but you’d have to be listening to extremely well-recorded high-res recordings to pick the difference… and even then you might not! Given that the higher of the two crossover frequencies is at 3.5kHz, I expect that the 3–6kHz lift is the result of some summing of the midrange and tweeter outputs, and as such might not be as apparent when listening slightly off-axis. Dynaudio has been creating speakers that perform out of all proportion to their physical size for over 40 years, and Evoke 10 is no exception. Plug them in, turn them up, and then get a friend round. Evoke 10 is available in four beautiful finishes: Black High Gloss, White High Gloss, Walnut Wood and Blonde Wood. That’s how Doppler distortion affects loudspeakers, and it is present in ALL two-way loudspeakers. The cones of the bass drivers are made from Dynaudio’s famous single-piece thermoplastic cone (which Dynaudio calls MSP, for Magnesium Silicate Polymer) where the dustcap is moulded in one piece with the cone, and the roll surrounds are made from rubber, which is a much more durable material than the foam that’s often used for the purpose. If the speakers have been set up correctly, nothing will change: the performers will stay exactly in their positions and the soundstage will remain fixed in place, unaltered in width, height or depth (and you’ll hear plenty of each). The notes from the bottom-most keys of a grand piano are about the lowest-frequency sounds you’re ever going to run across in most music genres… classical, jazz, rock, et al, and after having used the Evoke 50s to enjoy the performances of a number of piano greats, from Wilhelm Kempff and Glenn Gould to Khatia Buniatishvili and from Art Tatum and Bud Powell to Keith Jarrett, and from Jerry Lee Lewis though Keith Emerson and Sir Elton John, I can tell you that the Dynaudio Evoke 50s deliver a fine rendition of a grand piano in full flight. There was a problem. Read review A wake-up call from Jupiter . Future Publishing Limited Quay House, The Ambury, As you can tell, I loved the sound of these speakers, and I think you will too. The bungs provided with the Evoke 50 are in two pieces, with an inner plug and an outer ring. Only 9 left in stock - order soon. Compared to my Dynaudio Special 40's, the Heresy IV's offer a much larger sound, are equal on imaging and have a more detailed treble (but in a good way, the S40 is a tad soft in comparison). ‘Doppler distortion?’ some may ask, ‘What’s that?’ And well may you ask! The wood versions use a tactile, open natural veneer for either a warm, dark tone or a light apricot look. The cabinet itself is quite tall—standing 1160mm high when its four outrigger feet are fixed underneath it. So, as I said before I digressed to make that very important point, I was fully expecting the midrange of the Dynaudio Evoke 50 to be the stand-out sonic feature of the design. 13. Design. Now think about a bass/midrange driver that has to produce both bass and midrange sounds because the particular cabinet in which it’s fitted does not have a midrange driver. Dynaudio's new Evoke range of speakers feature some top-level technology the company has borrowed from its higher-end ranges. Classic Dynaudio heritage… with a twist Each speaker’s single 14cm long-throw mid/bass driver is made from MSP (Magnesium Silicate Polymer), just like all Dynaudio … Pedants with sharp eyes might point out that the trace is actually a little below the –3dB envelope between 42Hz and 52Hz, but the magnitude of the variation and the measurement variabilities at these frequencies mean that we can safely ignore this to arrive at the ‘overall’ response stated. What Hi-Fi? In all three-way designs, such as the Dynaudio Evoke 50, in the previous scenario the bass drivers will be producing the 20Hz tone, moving back and forth freely without having to deliver the 1,000Hz tone, and the midrange driver will be reproducing the 1,000Hz tone at exactly 1,000Hz, with no frequency variations at all. Dynaudio’s Evoke 50 loudspeakers returned an excellent set of results in Newport Test Labs’ acoustic test laboratory, and is notable for having a particularly-well-extended bass response. It's considerably more petite than other high performance floor standing loudspeakers. The Evoke range comprises two standmounts (Evoke 10 and 20), two floorstanders (Evoke 30 and 50) and a centre speaker (Evoke 25c). Evoke 30 . With Evoke, it will. Thank you for signing up to What Hi-Fi?. We’d put money on your pal asking where’s the rest of the speakers are. But it’s not just that the Dynaudio Evoke 50s have a big sound… it’s that they sound fabulous, with super-extended, effortless bass, superb midrange and transparent highs, along with stereo imaging to die for. The speakers themselves feel very substantial and well put together. Only 1 left in stock - order soon. These days, there are fewer salespeople on showroom floors, and many customers (particularly children) feel the need to ‘poke’ drivers (particularly tweeters) when no-one’s looking, so with fewer salespeople to control out-of-control customers, it’s likely that increasing numbers of tweeters are being damaged. As you can see, each of the major horizontal divisions on the graph represents a 5dB change in level, so the graph shows the response of the Dynaudio Evoke 50 as extending from 35Hz to 22kHz ±3dB, which is an outstandingly good result, particularly in terms of bass extension, for a design that uses relatively small-diameter bass drivers and a relatively small-volume cabinet. The black trace shows the response of one bass driver (for clarity) without any bungs, and you can see that the response rolls off quite steeply from around 60Hz. Power output per se is not important—these are efficient loudspeakers, so they’ll make the most of any reasonably-powered amplifier—so any solid-state design that’s rated by its manufacturer with an output into a 2Ω load will be fine… or equally any non-SET valve amp with a 2Ω tap. The Evoke 10 represents the entry into their latest lineup, the Evoke series. This review and test originally appeared in Australian Hi-Fi magazine, one of What Hi-Fi?’s sister titles from Down Under. The ‘Hexis’ geometry Dynaudio developed specially for its Esotar3 tweeter—as used on the company’s Confidence range—is now fitted to the latest Dynaudio Evoke 50. I love that connectivity and get the sense that Dynaudio really cares about their workmanship as I hefted the speakers in place. Receive mail from us on behalf of our trusted partners or sponsors? As is becoming increasingly common these days, Dynaudio provides soft foam plugs, or ‘bungs’ with the Evoke 50. © Please find the guidelines here: Brand Guide. The foam port plugs do not come pre-installed, so if you want to use them, you’ll need to remove them from their protective zip-lock plastic bags and press them into the port tubes. Evoke. And that midrange driver is a newly-developed model with an overall diameter of 150mm, a moving diameter (that is, the diameter of the cone and roll surround) of 120mm and a Thiele/Small diameter of 115mm. The Evoke 10 itself is a very straightforward design. Best Sennheiser headphones deals: noise cancelling, in-ear, wireless, Best stereo amplifiers 2020: best integrated amps for every budget, Best Bluetooth speakers 2020: portable speakers for every budget. As you can see from the photographs accompanying this review, the Evoke 50 has two bass drivers, each with an overall diameter of 185mm, a moving diameter of 120mm and a Thiele/Small diameter of 115mm. Sign up below to get the latest from What Hi-Fi?, plus exclusive special offers, direct to your inbox! Dynaudio's engineers also borrowed technologies from the tweeter in the company's cost-no-object Confidence series. Excellent design. It will cost you an extra £295, however. Dynaudio has a fairly simplistic answer in its Owner’s Manual, which takes the form of this advice: ‘(Plugs) can be fitted to reduce the bass emphasis that may be apparent if the speakers are placed close to room boundaries. You will need these outrigger feet, too, because without them the cabinet is a little unstable and quite easy to tip over, because it’s so tall and narrow. Home 01. The Evoke promo movie on the Dynaudio fb page is a nice one to watch! The sonorities Hardy creates with his 1793 Guadagnini are ear-opening: the warmth of the instrument is exceptional, yet never so warm that you can’t hear the perfection of his vibrato. but in the particular case of the Dynaudio Evoke 50, its unique double-dome structure would make such a repair challenging, to say the least. This two-way design pairs the 28mm Cerotar tweeter and Hexis with an 18cm long-throw woofer. At the start the whole process is a sandbox – one that’s full of out-there ideas, wishlists and ingenious solutions that had been percolating in brains and notebooks. Evoke 20 (£2000) is the larger of the two Evoke standmounters. Special 40s, Moon350PD, Moon 330A, Moon Neo 310LP, Thorens TD2001 AT9 ART9, Media center Jriver all linear powered, Puc Lite USB converter Nonetheless I would thus expect the sound to have a very slight forward character at these frequencies. We offer FREE lifetime technical support and FREE Shipping on all orders. Sensitivity: 88 dB. An outstandingly homogenous and holistic sounding standmount speaker that does credit to its heritage and continues Dynaudio's story of success in this field. And then turn it up a bit more. The huge voice-coils (which, at 75mm in diameter, are one of the biggest in the business, particularly for a 185mm driver) are made from copper wire that’s wound around a Nomex former. But I was not prepared for the quality and expansiveness of the bass from the dual bass drivers, nor was I prepared for the performance from the new Cerotar tweeter, which was exceptionally good… so good that it was very easily encroaching on the Esotar3’s territory. You can see that although the bass drivers are identical, their different positions on the front baffle mean their performance is not identical. It’s very important to note that one thing all the drivers fitted to the Evoke 50 have in common is that they are all designed and manufactured ‘in-house’ by Dynaudio itself. And, just in case you were wondering, you can safely play music while the pucks are attached… just don’t expect to hear any high frequencies! Nothing much to report here. Shipping and local meet-up options available. According to the Alex Newman, one of the acoustic designers responsible for the Evoke series, the second dome enables better control of air pressure behind the fabric dome and because of this increased control, the company has been able to achieve an even-smoother frequency response from the tweeter. It didn’t fool the dog though… but then no loudspeaker ever has! Product literature is easy to locate right beneath the top flaps making it easy to get started. You will receive a verification email shortly. Love Spreads. I tend often to use ‘Sampler’ CDs when auditioning, because it saves a whole lot of disc-swapping, and on Ana Caram’s contribution to Chesky’s Jazz Sampler Volume 1 (Meditation) I heard the superb clarity of her vocal inflections as well as I think I ever have. I'm moving into a new place though and have just bought some Dynaudio Evoke 50's (4 ohm floorstanders, two woofers, one midrange driver, and a tweeter, 87dB sensitivity, max power 260W). The advantage of a three-way loudspeaker design with its separate midrange driver should now be immediately obvious! The Dynaudio Evoke 50 is available in two different high-gloss painted finishes (high-gloss white and high-gloss black) and two different synthetic wood finishes: walnut and blonde. This means that instead of hearing a 1,000Hz tone, we will actually hear 1,020Hz as the cone moves towards us and 1,980Hz when it’s moving away. Dynaudio has trickled down one of the technologies it uses in its high-end loudspeakers to a totally affordable model. $2,999.00. Its single-piece polypropylene cone is only 0.4mm thick and is driven by an aluminium voice-coil wound around a fibreglass former. Sign up below to get the latest from What Hi-Fi?, plus exclusive special offers, direct to your inbox! Please refresh the page and try again. It isn’t the exact same tweeter, of course, but the most important design element is the same, which is that the 28mm fabric dome sits just on top of a hidden ‘inner dome’ in a geometry that Dynaudio calls a ‘Hexis’—and if you look carefully at the fabric dome, you can just see the dimpled surface of the sub-dome underneath. Graph 7 shows the performance of both bass drivers and the midrange driver. Available in four finishes (black gloss, white gloss, walnut wood and blonde wood), the Evoke series ranges in price from £1100 to £3900. Please deactivate your ad blocker in order to see our subscription offer. That larger chamber, in conjunction with the new pressure conduit, reduces the back-pressure on the rear of the tweeter diaphragm, effectively enabling enhanced frequency extension. If you’d like to hear something fabulous that has both the piano and the violin working the Dynaudio Evoke 50s’ midrange hard (as well as those superb bass drivers), I can totally recommend Brahms’ Complete Sonatas for Violin and Piano on Calliope (Harmonia Mundi) as performed by Andrew Hardy and Uriel Tsachor. Impedance vs. frequency is shown across three graphs, rather than just the usual single graph, due to the number of permutations permitted by the provision of, effectively, three completely different cabinet alignments, each one of which will affect the impedance (as you can see). But back to that bass, it was so powerful that I half-checked the cabinets to see if they were rocking back and forth as a result of the driver excursion, but no… the cabinets were rock solid back and forth with no movement at all—no doubt thanks to those outrigger feet, which are far more effective at delivering front/back stability than they are delivering side/side stability. The new Evoke family will be on-sale in Europe in February 2019. The bottom-most notes are stringily tangible, and you’re never left wondering about pitch, even for the most briefly-struck keys. Fabulous sound, with super-extended, effortless bass, superb midrange and transparent highs, along with stereo imaging to die for. Garman likes this.